English (Public Texts)

The purpose of this thesis is to acknowledge the contributions chapbooks have made to the world of Canadian publishing and to Canadian culture. It is important to place chapbooks in Canada's publishing history as there has not been a lot of writing on chapbooks or even on Canadian publishing. What sources there are usually focus on larger, traditional presses, often based in Ontario (Lorimer); if chapbooks are mentioned at all, they are usually mentioned only in passing (MacSkimming). On rare occasions when texts focus on micropresses or small presses, they are usually out of print and not easy to access (Anstee). Due to this short list of accessible resources on chapbooks, this project was created to help record and capture the impact chapbooks have on Canadian publishing and culture using interviews.

Author Keywords: Canadian Culture, Canadian Publishing, Chapbook, Interviews, Mirocpress, Small press

In this thesis I argue that Sing-Song: A Nursery Rhyme Book (1872) disrupts conventional narratives of the idealized maternal role in the Victorian era, "the angel in the house" by confronting and giving a voice to the often overlooked realities of maternal suffering. Rossetti accomplishes this by fostering the conversation regarding the challenges inherent in motherhood. Sing-Song has been dismissed by critics as inappropriate for its intended child audience. However, such assessments rely on outdated assumptions and fail to recognize the intention behind the poetry collection. The subtle coding of the rhymes for a maternal audience has largely been overlooked. Rossetti deliberately represents the psychological and emotional complexities of motherhood, offering a more realistic portrayal of the mental health challenges that may accompany the maternal experience. In turn, Sing-Song challenges the idealized mother figure of the Victorian era and represents a more nuanced understanding of motherhood.

Keywords: motherhood, idealized, maternal mental health, the angel in the house, infant death

Author Keywords: idealized, infant death, maternal mental health, motherhood, the angel in the house

This thesis creates an adaptation of William Shakespeare's The Tempest that reshapes the play through a focus on queer identities. Specifically, through setting the play at a Drag club and changing the characters accordingly a nuanced view of how gender roles shape the interactions we have with ourselves, our society, and our environment. The chapters that proceed the adaptation provide evidence and supporting clarification for the ideas brought up in the adaptation.

Author Keywords: Adaptation, Drag, Gender, Queer, Shakespeare

Through an exploration of shared stories, hauntings and the sea, this study outlines the idea that an ideological shift is a necessary first step to address the impact of colonialism in the publishing industry. This thesis draws sustained attention to the ways in which colonialism has an inextricable material effect on the publishing industry, and focuses on the myriad ways this past material and ideological holdovers shape the frameworks of book production. The vestiges of colonialism continue to be carried forward as a constitutive element of the present, creating a complex situation of material forces and conditions that need to be negotiated to create a more inclusive and diverse literary landscape that accurately reflects the experiences and voices of marginalised communities.Referring to something both subtler and more apparent than reformation, this thesis argues that a shift in ideology is necessary to address the impact of colonialism on literary culture. The shift proposed by this thesis is inspired by the ocean, specifically the Caribbean Sea. As it invites a rethinking of traditional capitalist publishing practices by acknowledging the historical limitations and systemic inequalities at the emergence of postcolonial West Indian literature. This shift involves moving towards alternative literary production and study that are more generative, appreciative, and beneficial to minoritised groups whose histories make themselves known in the present, inscribed into our stories in an accumulation of tides.

Author Keywords: Hauntology, literary situation, Postcolonial literature, Tidalectics, West Indian Literature

Games, and especially video games are fast becoming the most pervasive media form, and live streaming games is fast becoming the most pervasive way of experiencing those games. This thesis looks at the history of broadcast, the practices of technological hobbyists, the social and technological aspect of games, gaming communities that transform game narratives, and gaming communities that transform political narratives. It demonstrates how the study of video game live streaming can be used as a model to study and analyze the production, consumption, and reciprocal relationship between the producers and consumers of media.

Author Keywords: Bill Gates is the Devil, Broadcast, Gaming, Ham Radio, Live Streaming, Video Game Live Streaming

This thesis argues that Canada, as it is regarded by the Canadian citizenry, exists as a collection of public-facing narratives within a collectively imagined national mythos. This mythos, as it stands in 2022, is an accumulation of layers of narratives built on the foundation of former British imperial myths honed by bourgeois ideologies and ideals into a uniquely 'Canadian' nationalism through the propaganda of the Great War, the Second World War, the Cold War, and the 'War on Terror.' In attempting to deconstruct this collection of narratives, this thesis employs a historical materialist approach and uses the theories of Marx, Lenin, Gramsci, and Althusser to argue for the importance of an internationalist perspective which has been neglected in the insistence on an inward domestic approach to the identity of Canada as a nation.

Author Keywords: Canada, Capitalism, Marxism, Media, Neoimperialism, Propaganda

This thesis creates an adaptation of William Shakespeare's The Tempest that reshapes the play through a focus on queer identities. Specifically, through setting the play at a Drag club and changing the characters accordingly a nuanced view of how gender roles shape the interactions we have with ourselves, our society, and our environment. The chapters that proceed the adaptation provide evidence and supporting clarification for the ideas brought up in the adaptation.

Author Keywords: Adaptation, Drag, Gender, Queer, Shakespeare

This case study's fan fiction and its subsequent non-RPF romance novel version reveal a complex blend of the fan fiction, romance novel, intimatopia, pornography, slash fan fiction, Real Person Fan Fiction, and Men's Hockey Real Person Fan Fiction genres and subgenres. Intimatopia's ideological framework provides a specific method for the romance novel's reordering of self and society, as well as a description of the resulting ordered society and self. As analysis of the reader comments left on the Archive of Our Own fan fiction reveals, intimacy is also critical to the fan fiction's community, because the reader is driven to comment by the text's affective power. The relationship between the reader and the text is primary for the reader, whereas the author's primary aim is to seek an intimate relationship with their readers. There is a conceptual link between the literary and social contexts through their privileging of intimacy as a mode of interaction for the texts's characters, readers, and authors.

Author Keywords: Archive of Our Own, community, fan fiction, intimatopia, Men's Hockey Real Person Fan Fiction, romance novel

As a result of the COVID-19 pandemic, print death notices have increased in number, length, and deviations, often as the only form of public recognition for the deceased. This thesis provides close readings through feminist and anti-ageist lenses of ninety print death notices, published in The Peterborough Examiner and Peterborough This Week between October 2019 and October 2021. These readings inform and illustrate the deindividualization of older women in death notices as the product not only of the limitations of language and format, but of a community that panders to regional public interests and traditional ageist tropes of femininity to create worthy public subjects. An exploration of ambiguities, contradictions, and overdeterminations that break with conventions of death notices reveals unintentional makeovers, deindividualization, and the sidelining of older women as subjects of their own memorials and photos in an extension of the systemic and internalized gendered ageism older women experience in life.

Author Keywords: Ageism, COVID-19, Death Notices, Deindividualization of Women, Feminism, Older Women

This thesis examines how co-creators Kelly Sue DeConnick and Valentine De Landro's 2014 graphic work, Bitch Planet, is in all conceivable ways a seminal and prescient example of — to use their term — "non-compliance" in the comics form and industry. From its inception as a feminist dystopia, written by a white woman and illustrated by a Black man, in an industry that is over-represented by white men, Bitch Planet is a prime example of activist comics that is situated perfectly within the "Blue Age" of comics, to use the term coined by comic scholar Adrienne Resha. This is evident in the main narrative of Bitch Planet in which, in an industry still over-represented by white characters, the main cast of characters are four Black women and one Japanese-American woman, each of whom we see come up against a theologically patriarchal white supremacist system that imprisons them for crimes that are gendered, racialized, classist and ableist. DeConnick and De Landro's collaboration with other artists extends from Laurenn McCubbin's satirical paratextual in-universe advertisements on the back page of each comic which complement Bitch Planet's main narrative to an invitation to world- building to the greater comic community, allowing creators with marginalized identities to craft short comic stories that satirically and deeply explore the socio-political issues developed in the main narrative of Bitch Planet. The final act of "non-compliance" comes out of the expansion of authorship of Bitch Planet to the readership via the letters pages, and beyond: highlighting readers' Twitter messages, connecting with them through Tumblr, and posting pictures of fan "non-compliant" tattoos within the pages of Bitch Planet.

Author Keywords: Bitch Planet, comics, critical race studies, dystopia , gender studies, intersectional feminism