Year: 2016, 2016
Member of: Trent University Graduate Thesis Collection
Name(s): Creator (cre): Allwood, Mark, Thesis advisor (ths): Bordo, Jonathan, Thesis advisor (ths): Holdsworth, David, Degree committee member (dgc): Egan, Kelly, Degree committee member (dgc): Junyk, Ihor, Degree granting institution (dgg): Trent University Abstract: <p>The following thesis is a work in Critical Topography that choses as its site of study two documentary films. The films being studied are El Sol del Membrillo by Victor Erice and Rivers and Tides by Thomas Riedelsheimer. My approach to critical topography in the thesis is twofold: first, I have traced the topical motifs that have appeared to me as I looked at the two films; second, I… more Year: 2015, 2015
Member of: Trent University Graduate Thesis Collection
Abstract: <p>On the first page of the much read, Camera Lucida, Roland Barthes reveals his motive: "I was overcome by an "ontological" desire: I wanted to learn at all costs what Photography was "in itself," by what essential feature it was to be distinguished from the community of images." The impetus of this thesis might be called a Barthesian desire to learn what… more Year: 2015, 2015
Member of: Trent University Graduate Thesis Collection
Abstract: <p>Following Baudrillard's conceptual and stylistic shift of the mid-70s, this thesis argues that said shift is accounted for by understanding the ontological quandary Baudrillard found himself in after developing a theoretical agonism impossible to divorce from the practice of writing. By tracing the conceptual metamorphoses of key terms including semiotic ambivalence, symbolic… more
