Year: 2015, 2015
Member of: Trent University Graduate Thesis Collection
Abstract: <p>This thesis explores the rhetoric of theft imposed on online music by comparing file</p><p>sharing to shoplifting. Since the litigation between the music industry and Napster, file sharing has been perceived, both by the entertainment industry and by a music listening public, as a criminal act. However, file sharing has more in common with home taping and music archives than… more Year: 2015, 2015
Member of: Trent University Graduate Thesis Collection
Abstract: <p>This three-part history explores Web 2.0's ability to make music products a collaborative, ongoing creative process that is reflective of early twentieth century live-music publics, where the realization of a performance was actualized by performers together with their audience in a shared physical space. By extension, I follow the changing dynamic of the producer/consumer… more Year: 2015, 2015
Member of: Trent University Graduate Thesis Collection
Abstract: <p>This study is an attempt to look at how orality plays a role in modern society to move people to action in a social engineering process. By examining the theories for the formation of publics as outlined by Jurgen Habermas and Michael Warner, I argue for the existence of an oral public and further show that it can be engineered with some of the tools provided. This theoretical foundation… more Year: 2015, 2015
Member of: Trent University Graduate Thesis Collection
Abstract: <p>Game texts present unique and dynamic opportunities for lability: how readers can make choices while reading that alter the narrative's nature or outcome. Labile decisions are neither simply correct nor incorrect--the reader renders judgement to produce a desired outcome. When encountering labile challenges, players employ an interpretive strategy to resolve them. Many game texts… more
