Graduate Theses & Dissertations

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Student's Bell Tower
The university newspaper is a vital aspect of the university public, as it provides a platform for students to voice their opinions on topics pertaining to the culture of their university and gives students critical information about what is happening on campus. This thesis uses the University of Regina’s The Carillon as a case study to evaluate how university newspapers interact with and influence their publics. In Chapter One, I detail the history of The Carillon, and how the radical atmosphere of the 1960s influenced the newspaper’s growth. In Chapter Two, I explore how The Carillon uses facets of digitality—such as their website, multimedia, and social media—to increase its readership. The chapter examines how these digital platforms reach The Carillon’s publics more efficiently, but still adhere to the traditions established by the newspaper from its inception. Finally, in Chapter Three, I assess the success of university newspapers which have transitioned to a strictly digital presence. For this assessment, I use the University of Alberta’s The Gateway and the University of Prince Edward Island’s The Cadre as case studies, and argue that The Carillon can learn from these digital newspapers to become more effective in using digital media to reach its student public. Altogether, this study of university newspapers offers a guide on how to maintain a balance between materiality and digitality, while also preserving the university newspaper’s legacy and traditions. Author Keywords: Digitality, Journalism, Materiality, Publics, The Carillon, University Newspapers
Affective Power of Intimacy
This case study’s fan fiction and its subsequent non-RPF romance novel version reveal a complex blend of the fan fiction, romance novel, intimatopia, pornography, slash fan fiction, Real Person Fan Fiction, and Men’s Hockey Real Person Fan Fiction genres and subgenres. Intimatopia’s ideological framework provides a specific method for the romance novel’s reordering of self and society, as well as a description of the resulting ordered society and self. As analysis of the reader comments left on the Archive of Our Own fan fiction reveals, intimacy is also critical to the fan fiction’s community, because the reader is driven to comment by the text’s affective power. The relationship between the reader and the text is primary for the reader, whereas the author’s primary aim is to seek an intimate relationship with their readers. There is a conceptual link between the literary and social contexts through their privileging of intimacy as a mode of interaction for the texts’s characters, readers, and authors. Author Keywords: Archive of Our Own, community, fan fiction, intimatopia, Men's Hockey Real Person Fan Fiction, romance novel
Thin Line Between Hell and Here
The end of the Cold War and the global triumph of neoliberalism were accompanied by the evolution of certain themes in dystopian fiction. According to some of its advocates, such as Francis Fukuyama, neoliberalism’s success signified the “end of history,” understood as ideological evolution, since the decline of communism left Western liberal democracies without any major opposition in terms of global governing and discursive practices. This thesis critically compares neoliberal rhetoric concerning invisible power, the end of history, technology, freedom of consumption and the commodification of human relationships with the ideologies represented in four neoliberal dystopian works of fiction, namely Black Mirror, Feed, The Circle, and The Fat Years. These examples create a “one-dimensional” dystopian subject who is rendered incapable of possessing the utopian imagination necessary to organize political resistance, precisely as a result of the governance and discourse of neoliberalism. Author Keywords: dystopia, dystopian fiction, dystopian subjectivity, neoliberalism, post cold war fiction, subjectivity
Final Makeover, Deindividualization of Women in Contemporary Death Notices
As a result of the COVID-19 pandemic, print death notices have increased in number, length, and deviations, often as the only form of public recognition for the deceased. This thesis provides close readings through feminist and anti-ageist lenses of ninety print death notices, published in The Peterborough Examiner and Peterborough This Week between October 2019 and October 2021. These readings inform and illustrate the deindividualization of older women in death notices as the product not only of the limitations of language and format, but of a community that panders to regional public interests and traditional ageist tropes of femininity to create worthy public subjects. An exploration of ambiguities, contradictions, and overdeterminations that break with conventions of death notices reveals unintentional makeovers, deindividualization, and the sidelining of older women as subjects of their own memorials and photos in an extension of the systemic and internalized gendered ageism older women experience in life. Author Keywords: Ageism, COVID-19, Death Notices, Deindividualization of Women, Feminism, Older Women
Women as Gifts and the Triple Hecate Myth in Shakespeare’s Troilus and Cressida, Antony and Cleopatra, and Cymbeline
ABSTRACT Women as Gifts and the Triple Hecate Myth in Shakespeare’s Troilus and Cressida, Antony and Cleopatra, and Cymbeline Women are placed into sexual roles by the patriarchal system in which we live. Gayle Rubin terms this a “sex/gender system” and explains that within this system women are exchanged as “gifts” between men to form kinship ties. The sexual roles this system creates are embodied in the “Triple Hecate myth.” Hecate was the goddess of witchcraft in Ancient Greece and was known to have three faces: Maiden, Nymph and Crone. The Maiden is in girlhood and the label is applied to any woman before she becomes sexually active. The Nymph is a sexually active woman who lives within the norms of society. A sexually active woman who lives outside those norms is a Whore. A Crone is a woman who has passed menopause. She is seen as either a wise elder or a wicked stepmother figure. In Shakespeare’s plays Troilus and Cressida, Antony and Cleopatra, and Cymbeline, the female protagonists Cleopatra, Imogen and Cressida are all trying to control their own destinies and rise above or manipulate this patriarchal system of control. These three women are travelling through the “Triple Hecate Myth.” Cleopatra begins a Whore and ends a Nymph, Imogen begins a Maiden and ends a Nymph, and Cressida begins a Maiden and ends a Whore. They each also problematize the “gift” exchange system either by attempting to self-exchange (Cleopatra and Imogen) or by being exchanged multiple times (Cressida). Keywords: William Shakespeare, Triple Hecate Myth, Gift Exchange, Gayle Rubin, Cymbeline, Troilus and Cressida, Antony and Cleopatra, Feminist Criticism, Classical Studies Author Keywords: Antony and Cleopatra, Cymbeline, Gayle Rubin, Shakespeare, Triple Hecate, Troilus and Cressida
"Non-compliance" in the system
This thesis examines how co-creators Kelly Sue DeConnick and Valentine De Landro’s 2014 graphic work, Bitch Planet, is in all conceivable ways a seminal and prescient example of — to use their term — “non-compliance” in the comics form and industry. From its inception as a feminist dystopia, written by a white woman and illustrated by a Black man, in an industry that is over-represented by white men, Bitch Planet is a prime example of activist comics that is situated perfectly within the “Blue Age” of comics, to use the term coined by comic scholar Adrienne Resha. This is evident in the main narrative of Bitch Planet in which, in an industry still over-represented by white characters, the main cast of characters are four Black women and one Japanese-American woman, each of whom we see come up against a theologically patriarchal white supremacist system that imprisons them for crimes that are gendered, racialized, classist and ableist. DeConnick and De Landro’s collaboration with other artists extends from Laurenn McCubbin’s satirical paratextual in-universe advertisements on the back page of each comic which complement Bitch Planet’s main narrative to an invitation to world- building to the greater comic community, allowing creators with marginalized identities to craft short comic stories that satirically and deeply explore the socio-political issues developed in the main narrative of Bitch Planet. The final act of “non-compliance” comes out of the expansion of authorship of Bitch Planet to the readership via the letters pages, and beyond: highlighting readers’ Twitter messages, connecting with them through Tumblr, and posting pictures of fan “non-compliant” tattoos within the pages of Bitch Planet. Author Keywords: Bitch Planet, comics, critical race studies, dystopia , gender studies, intersectional feminism
Uplifting Her Voice
This thesis creates an adaptation of act five, scene three of William Shakespeare’s Titus Andronicus that reshapes the play by focusing on female empowerment through the character Lavinia. Specifically, by using other Shakespearean characters’ dialogue that can speak towards her situation, I have written a monologue and stage directions for Lavinia. The same patriarchal superstructures which existed in the West during the time of Shakespeare and at the time of the play’s setting—and which still exist today—ensure that Lavinia remains silenced. Through my adaptation, I aim to challenge these structures in a meaningful way by returning both voice and agency to Lavinia. Author Keywords: Adaptation, Agency, Metamorphosis, Patriarchy, Revenge, Voice
Composite Frankenstein
This thesis explores Frankenstein’s popular culture narrative, contrasting recent Frankenstein texts with the content of Mary Shelley’s classic novel and James Whale’s iconic films Frankenstein (1931) and The Bride of Frankenstein (1935). The research investigates how Frankenstein’s legacy of adaptations function intertextually to influence both the production and the consumption of Frankenstein texts, referring to this complicated and contradictory intertextual web as “the Composite Frankenstein.” This thesis present the Composite Frankenstein as a hermeneutic by which to view Frankenstein’s collaborative and cumulative identity in popular culture, drawing on the work of other scholars on adaptation and intertextuality. Sarah Milner investigates the context of the key Frankenstein texts, the novel and the 1931 film; this research’s goal is to destabilize the perception of authorship as an individual’s mode of production and to investigate the various social processes that influence text creation and consumption. Author Keywords: adaptation, authorship, Frankenstein, intertextuality, James Whale, Mary Shelley
Autobiographical Graphics
This thesis examines the work of queer women who author graphic autobiographical texts. Alison Bechdel, Sarah Leavitt, and Elizabeth Beier all employ the graphic medium to narrate their personal experiences with coming out, growing up, and navigating heteronormative spaces as lesbian or bisexual women. By studying the work of these three authors in tandem, this thesis functions to expand the archive of queer life by demonstrating that, even as queer life is made tangible in autobiographical writings, the ephemerality that marks the archives of queer life persists. Using feminist and queer theories, the study of abjection, archival studies, genre studies, and post-structuralist approaches to comics literatures, this thesis examines the body of the text, the body of the archive, and the bodies of the women that are contained within these structures to determine that queer women are creating a new tradition in graphic life writing. Author Keywords: archive, genre, graphic text, lesbian, queer, women
Phantoms of Mars
My analysis of twentieth century Mars science and fiction outlines how the ongoing dialogic between Mars science and fiction publics influences the American frontier dialectic and how Mars serves as the arena where this debate comes to life. It examines connections between myth, science, and fiction by tracing the evolution of historical and literary representations of the American frontier and understandings of Mars spanning the twentieth century. To illustrate these findings, I investigate the fictional visions of the planet in the works of Edgar Rice Burroughs, Ray Bradbury, and Kim Stanley Robinson. Ultimately, Mars is revealed as a fictional frontier where a better way of living may be achievable by transforming the planet and ourselves. Finally, the planet’s physical site holds a haunting potential value that inspires further research and new narratives, which informs the future use of Mars in American culture. Author Keywords: Bradbury, Burroughs, Frontier, Mars, Myth, Robinson
Great Liberation (or Standing Up, Laying Down)
This thesis presents a critical history of stand-up comedy alongside rhetorical analyses of specific stand-up routines and performances to argue for stand-up’s efficacy as a therapeutic artform. Through analysis of the history, function, and content of satire, this thesis presents stand-up comedy as an artform utilized for more than just simple laughter. Stand-up comedy, as a form and genre, provides the unique ability to engage with difficult subject matter, traumatic experiences, and offense for the benefit of both listener and audience in a way that subverts, therapizes, and equalizes instances of discrimination, trauma, and denigration. Author Keywords: Abjection, Offense, Satire, Stand-up Comedy, Therapy
“A City is Not a Place of Origins”
This thesis explores the work of Black queer authors who write and reproduce cities in their texts. James Baldwin and Dionne Brand create knowable and readable spaces of the cities in which they write. By studying the work of these two authors, this thesis seeks to understand how Black queer people navigate city spaces, and how Black queer authors create a literary imaginary about the cities in which their novels are set. Thus, the cities of New York and Toronto become knowable sites through the novels of Dionne Brand and James Baldwin. Using Black queer theory, Black diaspora theory, and Black literary theory, this thesis engages with the novels, essays, and interviews of James Baldwin and Dionne Brand to determine that urban spaces are both liberatory and traumatic for Black queer people. Author Keywords: Baldwin, Black Queer Studies, Black Women, Brand, Diaspora Studies, Lesbian

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Graduate student theses produced at Trent University. You may also browse theses and dissertations by year, program, or author.

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