Graduate Theses & Dissertations

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Advanced broadband CARS microscopy based on a supercontinuum-generating photonic crystal fiber
I have developed and improved a coherent anti-Stokes Raman scattering (CARS) microscope based on the spectral focusing (SF) technique. The CARS microscope uses an 800 nm oscillator and a photonic crystal fibre module to generate the supercontinuum Stokes. The photonic crystal fibre was originally designed to generate light beyond 945 nm which is useful for CARS microscopy in the CH/OH frequencies but essentially prevents access to the important fingerprint region at lower frequencies. With expert and nontraditional approaches to generating supercontinuum with sufficient power at wavelengths below 945 nm, I substantially extend the usefulness of the module for SF-CARS microscopy deep into the fingerprint region. Moreover, with the invention of a dynamic supercontinuum generation scheme we call "spectral surfing," I improve both the brightness of the CARS signal and extend the accessible CARS frequency range to frequencies as low as 350 cm$^{-1}$ and as high as 3500 cm$^{-1}$---all in a single scan-window. I demonstrate the capabilities of our broadband SF-CARS system through CARS and four-wave mixing hyperspectroscopy on samples such as astaxanthin, lily pollen and glass; liquid chemicals such as benzonitrile, nitrobenzene and dimethyl sulfoxide; and on pharmaceutical samples such as acetaminophen, ibuprofen, and cetirizine. Furthermore, In search of more useful Stokes supercontinuum sources, I compare the performance of two commercial photonic crystal fibre modules for use in SF-CARS applications, ultimately finding that one module provides better spectral characteristics for static supercontinuum use, while the other provides improved characteristics when spectral surfing is implemented. Author Keywords: coherent anti-Stokes Raman scattering, nonlinear microscopy, scanning microscopy, spectroscopy, supercontinuum generation, vibrational spectroscopy
Aeolian Impact Ripples in Sand Beds of Varied Texture
A wind tunnel study was conducted to investigate aeolian impact ripples in sand beds of varied texture from coarsely skewed to bimodal. Experimental data is lacking for aeolian megaripples, particularly in considering the influence of wind speed on ripple morphometrics. Additionally, the modelling community requires experimental data for model validation and calibration. Eighteen combinations of wind speed and proportion of coarse mode particles by mass were analysed for both morphometrics and optical indices of spatial segregation. Wind tunnel conditions emulated those found at aeolian megaripple field sites, specifically a unimodal wind regime and particle transport mode segregation. Remote sensing style image classification was applied to investigate the spatial segregation of the two differently coloured size populations. Ripple morphometrics show strong dependency on wind speed. Conversely, morphometric indices are inversely correlated to the proportion of the distribution that was comprised of coarse mode particles. Spatial segregation is highly correlated to wind speed in a positive manner and negatively correlated to the proportion of the distribution that was comprised of coarse mode particles. Results reveal that the degree of spatial segregation within an impact ripple bedform can be higher than previously reported in the literature. Author Keywords: Aeolian, Impact Ripples, Megaripple, Self-organization, Wind Tunnel
Affective Power of Intimacy
This case study’s fan fiction and its subsequent non-RPF romance novel version reveal a complex blend of the fan fiction, romance novel, intimatopia, pornography, slash fan fiction, Real Person Fan Fiction, and Men’s Hockey Real Person Fan Fiction genres and subgenres. Intimatopia’s ideological framework provides a specific method for the romance novel’s reordering of self and society, as well as a description of the resulting ordered society and self. As analysis of the reader comments left on the Archive of Our Own fan fiction reveals, intimacy is also critical to the fan fiction’s community, because the reader is driven to comment by the text’s affective power. The relationship between the reader and the text is primary for the reader, whereas the author’s primary aim is to seek an intimate relationship with their readers. There is a conceptual link between the literary and social contexts through their privileging of intimacy as a mode of interaction for the texts’s characters, readers, and authors. Author Keywords: Archive of Our Own, community, fan fiction, intimatopia, Men's Hockey Real Person Fan Fiction, romance novel
After the Fall
Utilizing pre-existing scholarship on post-conflict reconstruction in twentieth-century Europe, as well as a variety of French primary sources, this thesis explores the concept of national-moral reconstruction as utilized by French political leaders in the wake of their country's defeat by Nazi Germany in June 1940. In particular, this study analyzes the competing discourses employed by the Vichy regime and the various organizations of the French Resistance, as each group sought to explain to a broader public both the causes of the French defeat, as well as the repercussions of the German occupation of the country from June 1940 to August 1944. While previous scholarship has emphasized the physical and/or economic dimensions of post-conflict reconstruction--especially when considered in the context of the Second World War--this thesis focuses on issues of cultural identity and national history/memory in order to look at how French political leaders hoped to reconstruct the moral and cultural, as opposed to the strictly physical, fabric of their country in the wake of the comprehensive social, political, and military disaster brought about by the German occupation. Author Keywords: collective memory, German occupation, national-moral reconstruction, Philippe Pétain, post-conflict reconstruction, Vichy France
Age-Friendly for Whom?
In this thesis, I explore the question of what would make Peterborough a good or “age-friendly” place to grow old(er) from a diversity of perspectives within and outside the structures of Age-friendly Peterborough (AFP). This research further explores if and/or how AFP and the Age-friendly movement more broadly, can be used as a tool for visioning and enacting more just, equitable, and “age-friendly” aging futures. To answer these questions I used semi-structured interviews with individuals either presently or previously involved with Age-friendly Peterborough, and an intergenerational and arts-based workshop, “Imagining our Futures.” From the research findings, I argue that AFP has a significant role to play in making Peterborough a better place to grow old(er), while also outlining how dominant Age-friendly frameworks are limited in their ability to move us towards aging futures that are just, equitable, and “age-friendly.” Author Keywords: Age-Friendly Communities, Age-Friendly Movement, Aging Futures, Arts-Based Research, Interdependence, Successful Aging
Agony of Writing Or Ambivalent Reversal In Baudrillard's Stylistic Metamorphoses
Following Baudrillard's conceptual and stylistic shift of the mid-70s, this thesis argues that said shift is accounted for by understanding the ontological quandary Baudrillard found himself in after developing a theoretical agonism impossible to divorce from the practice of writing. By tracing the conceptual metamorphoses of key terms including semiotic ambivalence, symbolic exchange and theoretical writing itself as a total agonistic process, this thesis demonstrates that theory is not reducible to epistemic production but is rather the contentious site of challenge and aesthetic (dis)appearance. Each chapter examines a conceptual tension revealing insoluble, conflicting social forms. These forms reveal the reversibility Baudrillard finds at work in all social phenomena. These culminate in a chapter that tackles Baudrillard's writing itself as a social form that endeavours to embody the agonistic theoretical concept as a process rather than remaining a representation, or commentary on, ambivalent social conflict. Author Keywords: agonist, ambivalence, Baudrillard, reversibility, style, writing
Agro-Ecological Zoning (AEZ) of Southern Ontario and the Projected Shifts Caused by Climate Change in the Long-term Future
This thesis proposes an agro-ecological zoning (AEZ) methodology of southern Ontario for the characterization and mapping of agro-ecological zones during the historical term (1981-2010), and their shifts into the long-term (2041-2070) projected climate period. Agro-ecological zones are homogenous areas with a unique combination of climate, soil, and landscape features that are important for crop growth. Future climate variables were derived from Earth System Models (EMSs) using a high emission climate forcing scenario from the Intergovernmental Panel on Climate Change 5th Assessment Report. The spatiotemporal shifts in agro-ecological zones with projected climate change are analyzed using the changes to the length of growing period (LGP) and crop heat units (CHU), and their manifestation in agro-climatic zones (ACZ). There are significant increases to the LGP and CHU into the long-term future. Two historical ACZs exist in the long-term future, and have decreased in area and shifted northward from their historical locations. Author Keywords: Agro-climatic Zones, Agro-ecological Zones, Agro-ecological Zoning, Climate Change, Crop Heat Units, Length of Growing Period
Alien Imaginaries
This dissertation offers a cultural analysis of UFOs and extraterrestrials in the United States. In it I look at what I call real aliens — extraterrestrials believed to be real and interacting with humans on Earth. Beliefs in real aliens are often denigrated and dismissed in official discourse, yet they continue to not only persist, but thrive, in American society. Hence, this dissertation asks: Why do so many people believe that extraterrestrials are visiting our planet? Part One begins by tracing the invasion of real aliens in the United States using Orson Welles’s 1938 radio broadcast “The War of the Worlds” as a starting point. Here, I look at how and why the broadcast registered with listeners’ anxieties and created a fantastic and uncanny effect that made it possible for some to conceive of aliens invading the United States. In Part Two, I trace the rise of ufology, which involves the study of extraterrestrials currently interacting with humans on Earth, and I consider how the social and political climate of the Cold War, as well as the cultural environment of postmodernity, provided the necessary conditions for stories about aliens to be made believable. Part Three explores the case study of the Roswell Incident, a conspiracy theory about the origins of an alleged flying saucer crash and government cover-up. I look at the reasons for why many individuals have come to believe in this conspiracy theory and I reflect on the tensions between “official” and “unofficial” discourses surrounding this case. I also consider how and why Roswell has become such an important site for ufology, and I examine the performances given by ufologists at the annual Roswell International UFO Festival to appreciate how ufologists offers seductive explanations of why things are the way they are; for many, their stories offer a better version of events than the purely rational and positivist explanations offered by official sources, especially since they tap into the disillusionment and mistrust that many Americans feel about contemporary politics. Author Keywords: aliens/extraterrestrials, America, conspiracy, official and unofficial, storytelling, ufology
All I've Found is Pain and Terror
This thesis is concerned with how specific aesthetic elements function in various contemporary texts to distort, obscure, or illuminate the immoral actions and behaviours being represented. This thesis applies the moral status philosophy of Mary Anne Warren, along with the moral philosophy of Emmanuel Lévinas and Zygmunt Bauman. Close reading and critical analysis are supported by Michele Aaron’s theory of spectatorship. The sublime is explored in Dexter (2006) and Batman: The Dark Knight Returns (1986), the uncanny in Battlestar Galactica (2003) and Westworld (2016), and the abject in The Walking Dead (2003) and World War Z (2006). The intentions of this project are to conduct a formal examination of the relationship between audience and text as it is filtered through aesthetic representation and moral frameworks. This thesis argues that aesthetic effects must be understood in connection to morality for active consumers to engage with these texts as sites for ethical consideration. Author Keywords: aesthetic theory, moral status philosophy, Popular fiction, spectatorship, The Walking Dead, Westworld
All Things Fusible
This dissertation presents the work of the American science fiction writer Neal Stephenson as a case study of mediations between literature and science by mobilizing its resonances with contemporary science studies and media theory. Tracing the historical and thematic trajectory of his consecutively published novels Snow Crash (1992), The Diamond Age; or, A Young Lady’s Illustrated Primer (1995), Cryptonomicon (1999), Quicksilver: The Baroque Cycle I (2003), The Confusion: The Baroque Cycle II (2004), and The System of the World: The Baroque Cycle III (2004), it approaches Stephenson’s fiction as an archaeology of the deep history of science that leads from late twentieth-century cyberculture, to world-war-two cryptography, and the seventeenth-century rise of the Royal Society. Refracted through a parallel reading of Stephenson’s novels and the theoretical work of Michel Serres, Bruno Latour, Friedrich A. Kittler, Isabelle Stengers, Donna Haraway, and others, this dissertation offers a literary discussion of the relations among cybernetics, complexity theory, information theory, systems theory, Leibnizian metaphysics, and Newtonian alchemy. Recognizing these hybrid fields as central to contemporary dialogues between the natural sciences and the humanities, Stephenson’s work is shown to exhibit a consistent engagement with the feedback loops among physical, artistic, narratological, and epistemological processes of innovation and emergence. Through his portrayal of hackers, mathematicians, natural philosophers, alchemists, vagabonds, and couriers as permutations of trickster figures, this dissertation advances a generalized notion of boundary transgressions and media infrastructures to illustrate how newness emerges by way of the turbulent con-fusion of disciplines, genres, knowledge systems, historical linearities, and physical environments. Uninterested in rigid genre boundaries, Stephenson’s novels are explored through the links among artistic modes that range from cyberpunk, to hard science fiction, historiographic metafiction, the carnivalesque, and the baroque. In a metabolization of the work performed by science studies, Stephenson’s fiction foregrounds that scientific practice is always intimately entangled in narrative, politics, metaphor, myth, and the circulation of a multiplicity of human and nonhuman agents. As the first sustained analysis of this segment of Stephenson’s work, this dissertation offers a contribution to both science fiction studies and the wider field of literature and science. Author Keywords: Complexity Theory, Cyberpunk, Michel Serres, Neal Stephenson, Science Fiction, Science Studies
Alone in Power
The thesis uses three case studies of President Nixon’s foreign policy in South-east Asia to analyze presidential domestic-making. The theoretical concept of personality politics is used to analyze the Nixon administration and foreign policy. Nixon’s secretive nature combined with his mistrust of the press and bureaucracy to create an office structure that restricted the involvement and notification of others of his foreign policy. This thesis also takes into account the domestic climate that Nixon was operating within, including significant antiwar opposition, an adversarial media, and an ideologically opposed bureaucracy. Nixon’s foreign policy was ultimately the result of a perfect storm of factors. The president’s natural penchant for secrecy, along with his mistrust of the press and bureaucracy, combined with the American political environment that was in many instances ideologically set against him, also helped shape his foreign policy. Author Keywords: American Presidency, China, National Security Council, Richard Nixon, US Foreign Policy, 1969-1973, Vietnam War
Along the Path
This thesis is written in three parts and supported throughout by feminist critical pedagogical analysis and a narrative methodological approach. In Part I I lay a theoretical groundwork that weaves the Freirean roots of critical pedagogy with its more contemporary theories in application to K-12 schooling, and with feminist thinking, most notably Sara Ahmed whose work has moved me both as a human and a teacher. In Part II, I take a deep dive into autoethnography (Bochner, (2017), Ellis, 1999). In Part III, I offer a memoir of my experience as a classroom teacher over a nearly 20 year period. The story of my work as an activist elementary school teacher oscillates between phases of hope and despair around the potential for forwarding a broad range of social and ecological justice ends through teaching and learning in the Ontario public school system. Finally, in Part IV, I return to conceptual analysis to reflect on the key themes of my memoir including teacher burnout, teacher efficacy, teacher resilience, and the ways in which these interact with teacher learning communities, school cultures and the relationships that underpin the work of teachers and educators. Author Keywords: Activist, Autoethnography, Critical Pedagogy, Resilience, Social-Change, Teaching

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Graduate student theses produced at Trent University. You may also browse theses and dissertations by year, program, or author.

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