Graduate Theses & Dissertations

Finding Space, Making Place
Independent music venues are important hubs of social activity and cultural production around which local punk scenes are both physically and conceptually organized. Through interactions with participants over extended periods of time, these spaces become meaningful places that are imbued with the energy, history and memories of local music scenes. When a venue is shut down, local punk scenes experience a temporary disruption as participants struggle to begin the process of re-establishing a new autonomous social space free from outsider interference. Therefore, moving from the local, to the national, to the international, from the small and personal to the vast and global, as well as from the physical to the virtual, this dissertation illustrates the actual, everyday practices of local scenes across Canada, addressing the larger issue of the loss of alternative music venues occurring on a global scale and the resulting impact on punk scene participants. Through the use of ethnographic research methods such as participant observation, photographic documentation, interviews and surveys, this dissertation engages with contemporary punk scene participants in order to give voice to those often ignored in grand narratives of punk history. As such, traditional concepts of punk as a utopic countercultural space are challenged to reveal the complexity and diversity that exists within contemporary local punk scenes, where participants often experience equal amounts of cooperation, competition, tension and struggle. By choosing to engage with contemporary experiences and interpretations of punk culture, this research addresses the changing landscape of local scenes, as punk participants attempt to carve out spaces of representation for themselves in an exceedingly mediated world. Author Keywords: Canada, music venues, punk, scene, social space, subculture

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