Graduate Theses & Dissertations

Pages

Keeping Circle
In the 1980’s, Hollow Water First Nation citizens created a healing movement to address community issues from an Indigenous perspective resulting in the development of the Community Holistic Circle Healing (CHCH) in 1989. The CHCH organization developed a Community (Restorative) Justice process as an alternative to a Western-based Justice approach to address issues such as domestic violence and sexual abuse. The CHCH organization addresses justice from a healing perspective (rather than the Western approach’s punitive/surveillance model) and includes the offender and offender’s family, the victim and the victim’s family, as well as the community to identify issues, develop plans, implement healing activities, and evaluate the outcome so that the root systemic issues affecting community can be addressed holistically. Hollow Water First Nation is much more engaged in addressing the roots of why the offence occurred and looks for Anishinaabek approaches to resolve community-defined issues. Western society tends to implement a symptomatic approach to violence deterrence through punishment rather than address issues through a healing process. My research looks at the complex history of the healing movement, the operation of the CHCH organization and the personal values that emerged from the healing movement, and Hollow Water’s next iteration of organization from the children of the people that began the healing movement. These people are now aged around mid-40’s and have seen their parents engage in a community justice movement, saw their parents develop their own way to address community issues through the emergence and operation of the CHCH organization, and now, themselves, have developed highly critical and creative skills around the workings of community development. I use Berger and Luckmann’s seminal 1966 book The Social Construction of Reality, Hallowell’s perspectives on the Anishinaabek culture in his anthropological research conducted in Beren’s River, Manitoba during the 1930’s, Max Weber’s The Theory of Social and Economic Organization (1915), interviews with the original activists, and my experiences living in Hollow Water for 4+ years (from 1997 to 2001) to give an account of the history of the healing movement and its consequent personal transformation of the people engaged in examining their thoughts, values and behavioural processes. I use the Learning Organization Theory, developed by Peter Senge (a management professor from Massachusetts Institute of Technology) in his 1990 book The Fifth Discipline, interviews of CHCH staff and other community organization staff members, as well as, Indigenous authors, such as, Leanne Betasamosake Simpson’s Dancing on Our Turtle’s Back (2011) and Michael Hart’s Seeking Mino-Pimatisiwin (2002) to provide an understanding of Indigenous concepts as they apply to the process of CHCH’s healing/learning operations. From these sources and interviews, I provide an account of Hollow Water’s Healing Movement which includes the decline of the CHCH organization from late 1990s to 2020. Given the current hyperpolitical environment in Canada, Hollow Water’s next generation of community member activists are perhaps about to reclaim power and establish empowered relationships as the Indigenous Renaissance unfolds. Author Keywords: Community Healing Movement Process, Hollow Water First Nation, Indigenous Axiology and Praxis, Learning Organization, Restorative Justice, Systems-Thinking
Memorable Movie Watching
Memorable Movie Watching: Viewer Ruminations about Memory in Four Canadian Films and their IMDb User Reviews explores how four Canadian films released in the decade around the turn of the millennium tell stories of memory and remembering, and how User Reviewers writing on the IMDb.com engage with, respond to, and re–remember those narratives filtered through their own remembered personal experiences. It embraces a new form of audience research by analyzing films alongside voluntary viewer contributions in order to bring these viewers’ voices into the conversation about memory in film and specifically Canadian film.Lilies (John Greyson, 1996), The Hanging Garden (Thom Fitzgerald, 1997), Marion Bridge (Wiebke Von Carolsfeld, 2002), and My Winnipeg (Guy Maddin, 2007) are each fiction films that focus on the main character’s deeply personal childhood memories. A textual analysis of the four films reveals trends in how the filmmakers create memory explorations and memory works [works based on memory] in Canadian film. A further textual and thematic analysis of the IMDb’s 117 User Reviews for these four films reveals how viewers engage with what I term memory narratives and the personal memories these films spark. The four films respectively privilege, through narrative and filmic techniques, each protagonist’s telling of remembered childhood events. Yet when User Reviewers of the films comment on the protagonist’s remembered childhood events, they choose to contest them, citing the unreliability of the remembered and of memory itself. User Reviewers interrogate the film narratives against their own personal experience, all the while asserting that there is significance to be found in the process of remembering. For User Reviewers, this process of remembering involves engaging with the film and then writing about their memories of watching the film and its narrative through their own sparked memories. In this process, they dig for significant meaning even though Users rarely articulate that meaning or specify for whom it is meaningful. In their writing, Users do reveal their own thoughts and beliefs about Canadian film, as well as their knowledge of filmmakers, related texts, Canadian locations, and their own childhood and youth experiences. Key words Memory, Remembering, Canadian Film, User generated content, Audience, Viewer, Thom Fitzgerald, John Greyson, Guy Maddin, Wiebke von Carolsfeld Content Warning Please note: the memory stories depicted in these films, discussed in the User Reviews and in this dissertation are extremely disturbing and may be upsetting to the reader. Author Keywords: Audience, Canadian Film, Memory, Social Media, User Generated Content, Viewer
History and Legacy of the “Orillia Asylum for Idiots
The “Orillia Asylum for Idiots” (1861 - 2009), Canada’s oldest and largest facility for the care and protection of children and adults with disabilities, was once praised as a beacon of humanitarian progress and described as a “community within a community.” Yet, survivors who lived in the facility during the post Second World War period, a time described as the “golden age of children’s rights,” tell harrowing stories of abuse and neglect. Despite the nation’s promise to “put children first” and protect the universal rights of “Canada’s children,” children incarcerated within the Orillia Asylum were subjected to systemic neglect and cultural discrimination, daily humiliation and dehumanization, and physical, sexual, and emotional abuse. Far from being a place for child protection and care, this dissertation finds that the Orillia Asylum was a site of a multi-faceted and all-encompassing violence, a reality that stands in complete contrast to the grand narrative through which the facility has historically been understood. This dissertation considers how such violence against children could occur for so long in a facility maintained by the state, a state invested in protecting children. It finds that children who were admitted to the Orillia Asylum were not considered to be “Canada’s children” at all by virtue of being labelled as “mentally deficient,” “feeble-minded,” “not-quite-human,” and “not-quite-children.” Author Keywords: childhood, disability, Huronia Regional Centre, institutional child abuse, institutional violence, institutionalization
“The Darkest Tapestry”
This doctoral research project is a part of the quest for an inclusive telling of Canada’s national identity and will focus on the creation of a memorialization Keeping Place model to commemorate the Indian Residential School system in Canada. My dissertation is interdisciplinary and contributes to the fields of cultural history, memory and post-colonial studies. In response to the TRC recommendation that calls on all Canadians to “develop and implement a national heritage plan and strategy for commemorating residential school sites, the history and legacy of residential schools, and the contributions of Indigenous peoples to Canada’s history”, this project aims to contribute a unique analysis and discourse to the existing literature as it will focus on developing a process of commemoration of the IRS system by uniting the architectural/geographical location not only as a place/space of colonizing “perpetrator architecture” but also as a Keeping Place and “site of memory/lieu de memoire” or conscience. This project will also engage the concepts of “Indigenous Métissage” and “Cultural Interface” to aid in the creation of an educational commemoration and reconciliation Keeping Place model for all Canadians. Author Keywords: canada, indian residential schools, keeping place , memory, saskatchewan, sites of memory
Laughing to be Citizens
This study will focus on how immigrants from Sub Saharan African (SSA) countries use humour as a tool for integration and belonging (and ultimately citizenship) in Canada. My aim is to investigate, through a detailed analysis of popular culture productions from immigrant communities, the strategies and techniques of humour that immigrants employ as a mode of communication with fellow immigrants, their immediate host community and the governmental authorities of Canada. I am particularly interested in how African immigrants use their oral background and cultural memory in the production of jokes and other humour products as a way of interacting, first with fellow immigrants as the primary audience and recipients of the humour and, second, with Canadian society at large. Using the ‘Signifying’ theory of Henry Louis Gates (1988) and Mikhail Bakhtin’s (1968) concept of the “Carnivalesque” as the theoretical framework for this study, I argue that immigrants from SSA countries are using humour to question hegemonic regulations that portrays them as victims, while providing alternative narratives of themselves as subjects with human agency. I further postulate that immigrants are taking advantage of the policy of multiculturalism that exists in Canada in a positive manner as an enabler for their humour. In turn, they are using the humour produced to communicate and break down social barriers, while building bridges across communities and social strata. I bolster my arguments with a consideration of humour in three genres of popular culture – literature, standup comedy and film – to show how immigrants rely on their home culture to produce humour in an effort to find belonging in Canada as contributors rather than victims. This thesis is the first work to examine SSA humour, produced by immigrants from these countries, in the context of their immigration and integration into Canada, and the first to present extended literary criticism of the works of immigrant writers, Tololwa Mollel, Yabome Gilpin-Jackson and Segun Akinlolu. This is also the first study on the comedy of Arthur Simeon, originally from Uganda and the film of Phina Brooks, originally from Nigeria. My analysis apprehends the immigrant voice in the writings and productions of these artists and places their works in conversation with Canadian literary/cultural criticism. Until now, there has been no study of the function of humour produced by African immigrants in Canada. It is my hope that this study will not only fill that gap, but also lay the groundwork for future study in this field that I believe holds a lot of socio-cultural promise, especially in the area of cohesive habitation amongst different ethnic groups. This study aims to contribute to conversations on immigration and its impact on Canadian society as part of nation-building and national consciousness. Author Keywords: African Stand up Comedy, Humour, Immigration, Multiculturalism, Popular Culture, Postcolonialism
Hoop Dance Project
This dissertation explores a 2017 elementary school Hoop Dance project that was organized by a white music teacher, and taught by an Indigenous artist in Peterborough, Ontario. It aims to respond to the Truth and Reconciliation Commission Calls to Action, numbers 10 and 63, which ask the federal government to sufficiently fund legislation that incorporates the following principles: “… developing culturally appropriate curricula” (p. 2), and “building student capacity for intercultural understanding, empathy, and mutual respect” (p. 7). The dissertation asks the question: In what ways will a seven-week Indigenous Hoop Dance Unit, taught by an Indigenous performing artist and facilitated by a white school teacher, contribute to reconciliation in an elementary school classroom in Ontario? I am the teacher in this study and have worked at this elementary school for five years. Throughout the project, I acted as facilitator, participant, and researcher, while Indigenous dancer and instructor Beany John planned and delivered the Hoop Dance content. Theoretically, the dissertation is organized around the Anishinabek seven grandmother/grandfather teachings, as taught by Ojibwe/Odawa educator and author Pamela Toulouse (2011). I believe that these seven traditional teachings are a meaningful basis upon which to build the project, not only because they inform Indigenous knowledge in the arts, but also because frequent reflection and referral to the teachings help remind me to remain connected to the “higher” purpose of the research throughout the project, which is to further the reconciliation process in Canada, and more broadly, to benefit society. Regarding methodology, I use arts based research (Leavy, 2015) and a constructivist grounded theory analysis, which embraces the subjectivity and positionality of the researcher (Creswell, 2012). The overall conclusion of the dissertation is that although the Hoop Dance project did not significantly address issues of Indigenous sovereignty in education nor our shared inherited legacy of colonial harm, it was a constructive step in the reconciliation project, largely due to the contributions of Beany John, whose teaching gently unsettled conventional educational practice at our school. Author Keywords: Arts Education, Hoop Dance, Indigenous Education, Indigenous Peoples, Settler Colonialism, Truth and Reconciliation
Something out of Nothing? Place-based Resilience in Rural Canadian Youth
This dissertation explored how rural communities enhance the capacity of youth to both navigate and negotiate healthy identities and well-being in the context of social ecological resilience. Resilience refers to the capacity for individuals to have good outcomes in spite of exposure to significant adversity. Rural communities are often identified as places of deficit both in scholarly literature and in general social discourse which can constitute adversity. Given the importance of place as a social determinant of health, rural communities can have a notable impact on the positive development of adolescent identity and well-being of the youth that reside within them. Drawing on the concept of social ecological resilience which draws attention to the importance of environments and relationships to support development, this project engaged with high school aged adolescents (14 to 18 years old) from Haliburton County in Central Ontario. Leveraging mixed model methods, the project featured both quantitative and qualitative approaches. There were 63 participants (33 male, 28 female and 2 non-binary) for the quantitative phase of the research which made use of the Child and Youth Resilience Measure survey instrument. The second phase of the research was qualitative and featured 14 participants who engaged in six focus groups. The focus groups provided context specific awareness of place-based factors which participants found supportive in their development. The results indicated that while the overall resilience scores for the community were lower than the national average (t(62) = 3.20, p <0.01), some study participants found the community to be resilience bolstering. Specifically, participants recognized the importance of supportive people, an awareness of an enriched sense of community, and a powerful sense of the value of nature and the outdoors to be the most significant aspects for the development of their resilience. The results indicate that rural youth are not naïve to the complexity of their circumstances but are able to use their rural contexts to develop the capacity to negotiate and navigate towards healthy identities and well-being. Author Keywords: Adolescent, Place-based, Resilience, Rural, Social Ecological, Youth
Securitization, Borders, and the Canadian North
Canada takes a national approach to border management. While this ensures that security practices are consistent across the country, it also fails to consider that different regions in Canada may have their own border needs. This dissertation, therefore, seeks to determine if border management priorities in Northern Canada are the same as in Southern Canada, along the 49th parallel. To make this determination, three sets of federal government documents are analyzed. First, documents associated with the current Beyond the Border Action Plan are explored to better understand security priorities and if regions are considered. Next, documents that are associated with Northern security and regional governance are analyzed in order to illuminate regional security issues and determine where borders fit within this narrative. The final set of documents to be examined are Senate reports on Northern security, as they can provide a glimpse into how regional security agendas are set. Grounded theory is used to illicit key themes from all documents and political discourse analysis is applied to the Senate reports to assess the strength of securitizing arguments for the region. Securitization theory and the Copenhagen School’s five security sectors are used to frame the analysis. This approach allows for a more comprehensive understanding of the region’s security priorities and the extent of the interplay between the sectors. The concept of regional security complexes is also addressed to determine the extent to which bilateral border cooperation exists in the North. Analysis reveals that border security priorities are not the same in the North as they are in the South. For example, in the North, greater emphasis is placed on protecting maritime borders, whereas in the South, land and air borders are prioritized. Beyond the Border aligns more closely with the needs of the Southern border, thus leaving a policy and security gap in the North. Bilateral border and security cooperation are also much more prevalent in the South than in the North. This research concludes with three policy suggestions to close this gap and addresses the extent to which it is in Canada’s interest to work more closely with the United States in the North. Author Keywords: Arctic, Borders, Canada, Policy, Regions, Securitization theory
From Toronto to Africville
How can educators use drama to nurture an ability in their students to identify and challenge the discourses and practices that have historically perpetuated oppression and inequality within Canada — without miring them in those narratives of oppression? This dissertation discusses the work of De-Railed, a theatre group that worked with youth in Hamilton Rapids, a Toronto neighbourhood where a high percentage of residents experience racial discrimination and poverty, to create a play about the destruction of Africville, a historically Black community in Halifax, NS. Drawing from the methodologies of critical, performance, and imaginative ethnography; critical multiculturalism; theatre of the oppressed; and feminist critical pedagogy, this dissertation argues that while participants used the fictional and intersubjective nature of drama to express embodied and affective resistance to class- and race-based oppressions in Canada’s past and present, the play-building process also reproduced certain unequal disciplinary structures that De-Railed was attempting to challenge. Emphasizing the importance of creating space for young people’s expressions of negative affect and emotion, this dissertation considers both the potentialities and limitations of De-Railed’s application of theatre of the oppressed methods in enabling participants to engage in affective expressions of resistance that may not have been permissible or available in other areas of their lives. Author Keywords: Africville, feminist critical pedagogy, forum theatre, multiculturalism, performance ethnography, theatre of the oppressed
Reconciliation as Relationship
In 2015, Canada’s Truth and Reconciliation Commission called upon Canadians to reconcile relationships between Settlers and Indigenous peoples in Canada. Education for reconciliation is one important element of this process. However, critical questions arise when education is undertaken by and for Settlers such as myself: Are our undertakings actually fostering reconciliation? According to whom? Drawing from reconciliation theory and decolonizing Indigenous methodologies, a reconciliation methodology is created to consider this question in the context of three reconciliation workshops for Settlers. Indigenous perspectives and pedagogies are prioritized. The emerging understandings of reconciliation as relationship and relationship as pedagogy reframe some prevailing Settler thinking about reconciliation, unmask latent assumptions linked to the colonial habits of mind and affirm the need for personal responsibility in the reconciliation relationship. The Indigenous norm of learning in-relation is found to be a powerful experience for Settlers participants offering valuable insights for reconciliation education in Canada. Author Keywords: decolonizing, education, Indigenous, relationship, Settler, Truth and Reconciliation
“At least I can feel like I’ve done my job as a mom”
This study examines the household foodwork of low-income mothers in Peterborough, Ontario and considers how community food initiatives (CFIs) such as community gardens and good food box programs can support these women in their efforts to feed their families adequately. I draw on multiple data sources: interviews with representatives from Peterborough CFIs; interviews with and illustrations by 21 local low-income mothers; debrief sessions following participants’ tours of CFIs; and my ongoing involvement with two local food networks. The mothers’ extensive foodwork considerations, strategies, and struggles reflect an engagement with three main ideals that are placed further out of reach through poverty and food insecurity. Women experienced pressure through these ideals: the “good mother,” to take primary responsibility for their children’s well-being through food; the “good consumer,” to participate in society as individual consumers; and the “good food program participant,” to avoid indications of over-reliance on food programs. Each ideal reflects the neoliberal exaltation of self-sufficiency and its flipside, the vilification of dependence. The research results highlight the need for CFIs to focus on the broader, systemic discursive and material challenges that can hamper the foodwork of all low-income mothers, in addition to addressing the immediate needs of their own participants. Towards this goal, Peterborough CFIs employ principles of universality, social inclusion, democratic processes, and broadening of social imaginaries. In their efforts, CFIs must navigate between cultivating collectivity and interdependence on the one hand, and engaging with this familiar, individualizing neoliberal ethos on the other hand. This study provides insights about the subjectivities of low-income mothers that may be useful for CFI programming as well as more analytic examinations of the role and impact of CFIs. It also reveals the common feminization, devaluation, and under resourcing of the food-related work of both mothers and CFIs. In doing so, the study points to the urgent need for broad dialogue and political action regarding poverty, dependence, caring labour, and the roles of citizens and the state in ensuring that households can adequately feed themselves. Author Keywords: Community Food Initiatives, Community Food Programs, Domestic Labour, Food Insecurity, Gendering of Caring Labour, Household Food Work
Representations of Aboriginal Health in the Media
The goal of the present study was to explore the overall discourse within media articles regarding Aboriginal health issues. The present research aimed to answer the following questions: What Aboriginal health issues are being discussed in the media? How are Aboriginal health issues being discussed in the media? And, does the media propagate power imbalances between Aboriginal and non-Aboriginal Canadians? A thematic analysis was conducted, coopting aspects of Critical Discourse Analysis (CDA) to assess media content. Four CDA devices were used: overlexicalisation, structural oppositions, nominalizations and functional nominations, and concessions and hedging. Results suggest that while there are disparities in health outcomes between Aboriginal and non-Aboriginal Canadians, it is not widely reported in the media. The thematic analysis of 208 articles revealed patterns of stereotypical ideologies and negative framing appearing in media articles, the creation of an us versus them narrative, and themes of out of sight, out of mind, criminalizing Aboriginal Canadians, politicizing health, and access to health services. Author Keywords: Aboriginal Health, Communication, Health, Media, Psychology, Thematic Analysis

Pages

Search Our Digital Collections

Query

Enabled Filters

  • (-) ≠ Morrison
  • (-) ≠ Master of Arts
  • (-) = Canadian studies

Filter Results

Date

2004 - 2024
(decades)
Specify date range: Show
Format: 2024/03/28