Graduate Theses & Dissertations

Autobiographical Graphics
This thesis examines the work of queer women who author graphic autobiographical texts. Alison Bechdel, Sarah Leavitt, and Elizabeth Beier all employ the graphic medium to narrate their personal experiences with coming out, growing up, and navigating heteronormative spaces as lesbian or bisexual women. By studying the work of these three authors in tandem, this thesis functions to expand the archive of queer life by demonstrating that, even as queer life is made tangible in autobiographical writings, the ephemerality that marks the archives of queer life persists. Using feminist and queer theories, the study of abjection, archival studies, genre studies, and post-structuralist approaches to comics literatures, this thesis examines the body of the text, the body of the archive, and the bodies of the women that are contained within these structures to determine that queer women are creating a new tradition in graphic life writing. Author Keywords: archive, genre, graphic text, lesbian, queer, women
Student's Bell Tower
The university newspaper is a vital aspect of the university public, as it provides a platform for students to voice their opinions on topics pertaining to the culture of their university and gives students critical information about what is happening on campus. This thesis uses the University of Regina’s The Carillon as a case study to evaluate how university newspapers interact with and influence their publics. In Chapter One, I detail the history of The Carillon, and how the radical atmosphere of the 1960s influenced the newspaper’s growth. In Chapter Two, I explore how The Carillon uses facets of digitality—such as their website, multimedia, and social media—to increase its readership. The chapter examines how these digital platforms reach The Carillon’s publics more efficiently, but still adhere to the traditions established by the newspaper from its inception. Finally, in Chapter Three, I assess the success of university newspapers which have transitioned to a strictly digital presence. For this assessment, I use the University of Alberta’s The Gateway and the University of Prince Edward Island’s The Cadre as case studies, and argue that The Carillon can learn from these digital newspapers to become more effective in using digital media to reach its student public. Altogether, this study of university newspapers offers a guide on how to maintain a balance between materiality and digitality, while also preserving the university newspaper’s legacy and traditions. Author Keywords: Digitality, Journalism, Materiality, Publics, The Carillon, University Newspapers
Phantoms of Mars
My analysis of twentieth century Mars science and fiction outlines how the ongoing dialogic between Mars science and fiction publics influences the American frontier dialectic and how Mars serves as the arena where this debate comes to life. It examines connections between myth, science, and fiction by tracing the evolution of historical and literary representations of the American frontier and understandings of Mars spanning the twentieth century. To illustrate these findings, I investigate the fictional visions of the planet in the works of Edgar Rice Burroughs, Ray Bradbury, and Kim Stanley Robinson. Ultimately, Mars is revealed as a fictional frontier where a better way of living may be achievable by transforming the planet and ourselves. Finally, the planet’s physical site holds a haunting potential value that inspires further research and new narratives, which informs the future use of Mars in American culture. Author Keywords: Bradbury, Burroughs, Frontier, Mars, Myth, Robinson

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2010 - 2030
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